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Kiedis himself is quite a sight, tricked out in a manner that suggests the early years of the 20th century-waistcoat, shirt collar buttoned all the way up, an abbreviated mustache and hair combed over one eye, making him look, oddly enough, like Adolf Hitler.
He’s accompanied by the Red Hot Chili Peppers’ newest guitar player, Josh Klinghoffer. Compact and talkative, Anthony Kiedis has obviously dressed up for the day’s photo shoot.
Josh Klinghoffer had a key role in making the Red Hot Chili Peppers’ new album, , a standout disc that marks an intriguing new chapter in the band’s long creative history.
There are ruminations on death, aging and getting your life together for a glorious second act.So it’s no surprise to find Red Hot Chili Peppers singer Anthony Kiedis here on a blustery early summer day.He’s turned up for a photo shoot in a studio just off the famed Venice boardwalk, where one can get one’s palm read or face painted, or buy incense, essential oils or Rastafarian T-shirts from an array of vendors.But while he shares a certain core aesthetic with John Frusciante, he is very much his own man.Where Frusciante is epic in scope, piling on the guitar, keyboard and vocal orchestrations, Klinghoffer is more inclined to make a telling statement with a single plaintive guitar line or artfully chosen chord sequence.“This is the first time I think since Mother’s Milk that someone besides myself titled a RHCP record,” Anthony Kiedis says.“And I was so happy to hear Josh come in with that idea, because it felt so right.” -that brought the Red Hot Chili Peppers to new heights of success in the first decade of the 21st century.Some wondered how the group would fare without John Frusciante’s wild imagination and well-honed song craft.But Chili Peppers new and old have acquitted themselves beautifully.Josh Klinghoffer-tall, slouchy, unshaven and so painfully quiet it can be physically exhausting to draw a few sentences from him-is dressed down in formless trousers, a T-shirt and windbreaker.Anthony Kiedis and Josh Klinghoffer share a quick laugh over their contrasting sartorial choices, then fall to quietly examining the curious selection of funky old guitars that Josh Klinghoffer has brought down for the shoot: a yellow Harmony Stratotone Newport from 1952, an equally archaic Silvertone, and an Airline with a broken jack.