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By the early '60s he'd built his own home studio.

Alpert is also a recording industry executive, the "A" of A&M Records, a recording label he and business partner Jerry Moss founded and eventually sold to Poly Gram.After seeing a mariachi band at a bullfight in nearby Tijuana, Mexico, he revamped the tune to match the style, and dubbed the result "The Lonely Bull." Alpert had already formed his own label, Carnival Records, with partner Jerry Moss, and had released a vocal solo single as Dore Alpert; he used this label, later renamed A&M, to release the new single.It was an instant hit, and both Alpert's career and the label's took off.The couple’s new Concord Jazz album, “I Feel You,” extends that approach.With this group, even when we rehearse, it's a new adventure every time.The couple, married since 1974, will be accompanied by a first-rate trio that features San Diego-born pianist Bill Cantos and percussionist Michael Shapiro (well known to fans here for his past work with guitarist Peter Sprague and singer Kevyn Lettau, herself a veteran of Mendes's band, albeit more than 20 years after Hall).Principal Members: Herb Alpert (born Herbert Alpert, March 31, 1935, Los Angeles, CA): trumpet, lead and backing vocals Tonni Kalash (born June 15, 1937, San Francisco, CA; died May 15, 2001, Los Angeles, CA): trumpet Bob Edmondson (born March 5, 1935, Los Angeles, CA): trombone John Pisano (born February 6, 1931, Staten Island, NY): guitar Lou Pagani: piano Pat Senatore (born August 19, 1935, Newark, NJ): bass Nick Ceroli (born December 22, 1939, Niles, OH; died August 11, 1985, Los Angeles, CA): drums Early years: The story of the Tijuana Brass is largely the story of Herb Alpert, the famed jazz-pop trumpeter who assembled them as his live and sometimes studio band.But when I heard them and met them, and realized that was the music coming out of them, honestly and spontaneously, I realized I needed to sign them."Hit records aside, it was letting an artist go who they had signed to A&M that first led Alpert and Moss to feel like their young record label was succeeding."We were the first to sign Waylon Jennings, back in 1964," Alpert said."Ii produced his first few albums.Chet Atkins heard (Waylon's A&M recording of) 'Four Strong Winds,' which I produced, and he talked to Waylon, which he shouldn't have done, since Waylon was under contract to us.Alpert, who performs here Friday at the Balboa Theatre with a jazzy band in place of the long-defunct Tijuana Brass, almost single-handedly helped raise the profile of San Diego’s nearby Mexican sister city.I didn’t want people to think I was trying to steal from someone else’s thunder.

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