Abendblatt dating

Hamburger Abendblatt - - Page datingcafe.abendblatt.de: 0.1%: 1.0: 0.6%: hotels.abendblatt.de: 0.1%: 1.0: 0.6%: pinnwand.abendblatt.de: 0.1%: 1.0: 0.6%: telekommunikation.abendblatt.de: 0.1%: 1.0: 0.6%Site Disclaimer: All trademarks are the property of their respective owners.The facts, figures, reviews, records, stats, and other data presented on this page is for suggestion and information purposes only.It is intended for readers who are in need of quick references concerning a single work of art or writing by or on Hogarth, or a specific subject connected with Hogarth.Part One lists all of Hogarth's paintings, drawings and engravings together with his writings in alphabetical order, each work having its special bibliographical reference.That a dozen papers on Hogarth and the London theatre are from the pen of Mary Klinger Lindberg?

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This book will give you many more new insights in the vast amount of primary and secondary source literature on the famous English artist William Hogarth.Part Two is a thematically arranged bibliography relating to miscellaneous subjects concerning Hogarth's life, his art, his attitudes to other artists and writers, as well as eighteenth, nineteenth and twentieth-century criticisms of his work.This is an indispensible study for the serious student of William Hogarth and for all art historians, general historians, philologists, and other scholars working with reference to eighteenth-century England.from works by Raphael, Dürer, Michelangelo, Correggio, Rubens, Rembrandt or Charles Le Brun), provides the key to a new understanding of the purpose behind Hogarth's taking single motifs from the works of highly reputed Old Masters and using them in new, topical, but often "low" contexts.The author's interdisciplinary study interprets this borrowing method as a cleverly contrived "anti-iconography" with which Hogarth ridicules the English self-styled connoisseurs of his time.Some of these sources are reprinted for the first time and may be of interest not only to art historians, but also to theologians, members of the Methodist Church, general historians, philologists or other scholars working on eighteenth-century England.Although the book focuses on , it invariably leads to new readings of the numerous other works by Hogarth.Krysmanski (ed.), Hogarth's Enthusiasm Delineated: Borrowing from the Old Masters as a Weapon in the War between an English Artist and self-styled Connoisseurs.A detailed study in iconology against a background of religion, society and culture in mid-eighteenth-century England. Enlarged and slightly revised version of the author's Ph D thesis of 1994, now containing, in volume 2, apart from the contemporary sources and the 446 illustrations, a summary for English readers and a comprehensive index.A seventy-page excursus deals with the pulpiteer as an artistic motif through the ages.The text includes a great number of original quotations from contemporary periodicals, pamphlets and treatises, concerning the theory of art (eclecticism, picture auctions, criticism of connoisseurship, the profane and blasphemy in art), the history of religion and religious tradition (English Puritanism, deism, Methodism [particularly George Whitefield], antipapism, witchcraft and demonology, iconoclasm, anti-Semitism, antitrinitarianism, the debate on transubstantiation), as well as social, cultural and medical history (the anatomy of the brain, the maltreatment of dogs, physiognomy, eroticism, sex murder, eighteenth-century melancholy, madness, and enthusiasm).

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